Bibliography

Primary Sources

“54th Venice Biennale: Zarina Hashmi (India)” ART iT. “http://www.art-it.asia/u/admin_ed_feature_e/FHt6zkTwqhKfNOJcUbuV

Allstop, Laura. “Slain protester’s art to represent Egypt at Venice Biennale” CNN. April 27, 2011.

D’Arvor, Oliver Poivre. Trans. By C. Penwarden. “Promoting French Culture Abroad.” Art Press (June 2009): 22-4.

BiennaleChannel. “Art Biennale 2011 – France” “http://www.youtube.com/watch?v=jTusDbOAmJg

BiennaleChannel. “Art Biennale 2011 – USA” http://www.youtube.com/watch?v=c5bdZLzfWbo

Bordone, Simona. “Another Brick in the Wall” Domushttp://www.domusweb.it/en/art/another-brick-in-the-wall-/

“At the Venice Biennale, Egypt Honors Fallen Artist Ahmed Basiony.” Art Culture. May 13, 2011.

“At Venice Biennale, U.S. Pavilion Somersaults Into Play” The Daily Beast. May 31, 2011.

La Biennale di Venezia. “www.labiennale.org/en/art.

La Biennale di Venezia – India. “www.labiennale.org/en/exhibition/first-time/india.html

La Biennale di Venezia – South Africa. “www.labiennale.org/en/art/exhibition/first-time/south-africa.html.

Bismuth, Lea. Trans. By L.S. Torgoff. “Christian Boltanski” Art Press (June 2011): 30-1.

Bonetti, David. “The Venice Biennale 2001.” Art New England 22 (October/November 2001): 16-17.

Chayka, Kyle. “Egypt’s Representation to Venice Biennale Killed in Tahrir Square” HyperAllergic. April 7, 2011.

Celant, Germano, ed. XLVII Esposizione Iternazionale d’Arte. Milan: Electa, 1997.

Desai, R. “Mythologies of Identity.” Domus (July 2011): 11.

Higgins, Charlotte. “Tank turned into treadmill adds theatre to US Venice Biennale entry” The Guardian. June 1, 2011

Livesay, Christopher. “Art as Smart Power” NPR. June 2, 2011.

Lord, Christopher. “Egypt displays an artful legacy at the Venice Biennale” The National. June 5, 2011.

News – South African Venice La Biennale. “http://sa-venice-biennale.com/news/.

Pattee, Mary Dailey. “Christian Boltanski.” Modern Painters 23 (Summer 2011): 22-3.

Pavillion Francais de la biennale de Venise. “http://www.venise.pavillonfrancais.com/?lang=en

Rodenbeck, Judith. “Jennifer Allora and Gillermo Calzadilla.” Art Press (June 2011): 28-9.

Tripathi, Shailaja “Metro Plus Thiruvanathapuram” The Hindu. “http://www.hindu.com/mp/2011/04/21/stories/2011042150360200.htm

Tromble, Meredith. “Feature: Reviews: ILLUMInations +” Stretcherhttp://www.stretcher.org/features/illuminazione/

Venice Biennale – Indianapolis Museum of Art. “www.imamuseum.org/venice

Vogel, Carol. “War Machines (With Gymnasts)” The New York Times. May 15, 2011.

Wiarda, Andrea “The Work is a Fantasy Space” NEWS – Pavilion of South Africa. May 26, 2011. “sa-venice-biennale.com/2011/05/the-work-is-a-fantasy-space/

Wood, Genevieve. “ ‘The Door in the Wall’ An Introduction to Satellite Telescop’ ” – Lyndi Sales. “http://www.lyndisales.com

“Writing in the Wall: Praneet Soi” ARTSPACE SYDNEY. “http://www.artspace.org.au/gallery_project.php?i=148

 Secondary Sources

Alloway, Lawrence. The Venice Biennale, 1895-1968: From Salon to Goldfish Bowl. London: Faber, 1969.

Burnett, Christina Duffy and Burke Marshall, eds. Foreign in a Domestic Sense: Puerto Rico, American Expansion, and the Constitution. London: Duke University Press, 2001.

Gard, Tamar, ed. Home Lands – Land Marks: Contemporary Art of South Africa. New York: Haunch of Venison, 2008.

Inside the Artist’s Studio: Siemon Allen | Art21 Blog. “blog.art21.org/2011/07/29/inside-the-artists-studio-siemon-allen/

John, Elton. “Appreciation” South African Art Now. New York: Collins Design, 2009.

Karnouk, Liliane. Contemporary Egyptian Art. Cairo: The American University Press in Cairo Press, 1995.

McCrone, David. The Sociology of Nationalism: Tomorrow’s ancestors. New York: Routledge, 1998.

Merali, Shaheen “Exposed tendencies: India’s Contemporary Art World.” New Delhi: Uitgeverij d’jonge Hond, 2009.

Noiriel, Gerard. Trans. by Geoffroy de Laforcade. The French Melting Pot: Immigration, Citizenship, and National Identity. Minneapolis: University of Minnesota Press, 1996.

Personal Affects: Power and Poetics in Contemporary South African Art. New York: Hollard, 2004.

Ricci, Clarissa. Starting from Venice: Studies on the Biennale. Milano: et al., 2010.

Teitelbaum, Michael S. and Jay Winter. A Question of numbers: high migration, low fertility, and the politics of national identity. Giroux, NY: Hill and Wang, 1998.

Temple, Benno. “Preface” Indian Contemporary. New Delhi: Uitgeverij d’jonge Hond, 2009.

Wechsler, Jeffery and Umesh Gaur, eds. India: Contemporary Art from Northeastern Private Collector. New Jersey: Jane Voorhees Zimmerlin Art Museum, Rutgers, The State University of New Jersey, 2002.

West, Shearer. “National desires and regional realities in the Venice Biennale, 1895-1914.” Art History 14 (September 1995): 404-34.

Wiebe, Robert H. Who We Are: A History of Popular Nationalism. Princeton: Princeton University Press, 2002.

Wilson, Simon. “The Venice Biennale.” The Burlington Magazine 118 (October 1979): 723-7.

<–PREVIOUS

One Comment

  1. pthayer

    A very interesting approach to the issue of national pavilions. They have been criticized as anachronistic in an era of globalization, but inviting artists from outside the traditional boundaries of a country is one way of raising questions about nationalism. I do wish the sound of that dreadful tank/treadmill had not been audible throughout the Giardini, however. Congratulations on the opening of the Venice III blog.
    Preston Thayer
    Director,
    New Mexico State University Art Galleries